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Photo: Ashley Ellen Hollender
This is not a blog
This is more. This is quotes that inspire. Rules to live by. Above, this is a picture of me exploring Mendocino. Below, this is blasts from the past, like an 8mm video I made when I was nine, set-life screeds and a miscellaneous etcetera of visual arts and background color.
Where is the shot? BTS of the canoe crew and a few frames from filming an anthem video for Friends of the Wekiva River.
PRINT IT
Lens to store front imagery for Markham Yard advertising agency. Beloved New Smyrna Beach paddleboarder and top-shelf family man, Erik Lumbert was really kind, generous and skilled as the model for this shoot.
Car camera rig shot for Discover Daytona shot with Daytona Harley Davidson.
TIME KEEPS ON TICKING...
Timelapse clip for Daytona Beach Convention and Visitors Bureau.
Clip for Discovering Water on the Discovery Channel.
Clip for the Marine Discovery Center.
THERE ARE NO RULES IN FILMMAKING. ONLY SINS. AND THE CARDINAL SIN IS DULLNESS.
FRANK CAPRA
Clip for Visit West Volusia.
A film is - or should be - more like music than like fiction.
Stanley Kubrick
Exploratorium
cellphone images of Exploratorium exhibits
HOW FILM WORKS, AN EXPLORATORIUM QUEST
All the light you see is from the past. Light and sound take time to travel to us, no matter how close we are to the source. We operate on a sensory input stream of the what-just-happened forever trailing off into memory.
In fact, technically, you can never experience the present. Just the biological lag of processing our own senses takes just long enough to keep us infinitesimally yet definitively separated from now.
Our sensory handle on reality is at the mercy of the mind, which erases our nose from the middle of our vision, fills in two blind spots, makes up things in our peripheral vision and flips the upside-down projections on the backs of our eyeballs right-side up.
The fundamental experiences of our lives are written in our hearts and minds by our eyes and ears. Throughout history, art has explored that relationship and demonstrated an endlessly evolving power to capture attention, change minds, inspire, impact society and imprint on our identity.
The times we live in are also shaped by science. Our mastery of applying science sculpts our understanding, our capabilities and our imagination. Our technology, from oral history to the printing press to the first photograph, they define and redefine our stories. "The media is the message," says Marshall McLuhan.
These pictures of Exploratorium museum exhibits are from my 2021 visit. It was a thrill to work as an Explainer ages ago at this historic museum of hands-on scientific experiments and experiential exhibits.
Among the exhibits, a zoetrope of LEDs and mirrors in a bell jar fascinated me. Zoetropes, spinning discs of slightly changing pictures, were invented in 1834. They were among the first moving pictures. This one's technological regressiveness struck me as insightful. The precise design to flicker ghostly blurs seems symbolic of an irony in the task of using audiovisual arts as messenger; to make creations, controlling every detail, so it will be received just so by something in us much deeper and fuzzier.
Any application requiring a balance between technique and "emotional content" must embrace a paradox of mastering technique in order to move it out of the way of creativity. In the immortal words of Bruce Lee, "Don't think. Feel. . . Do not concentrate on the finger or you will miss all the heavenly glory."
This Exploratorium exhibit let you walk into the mind-bending reflections of a hologram of you projected in front of you. As you approach the giant parabolic mirror, you see the initial image. Suddenly you pass through your visual world, like breaking through a membrane and you see an upside down you floating in front of you.
Exploratorium zoom-dolly camera exhibit discussing focal lengths vs fields of view. In my defense, just before record was pressed, the following was said, "Dad, take a video! Make it crazy I'm gonna throw up shaky crazy! Want me to do it? No! I want to do it."
Photo: Matt Maloy www.mattmaloy.com
Filming for the Armory of Harmony
Some time ago, I got to film with cinematographer Ron Condon, who filmed with production on Point Break, Chasing Mavericks and TV shows like Lost and Baywatch. That was crazy out-of-the-blue unexpected.
Condon needed a local crew for a little piece of a project being willed to life by musician and film and television composer Richard Gibbs.
So I ended up filming with Keegan Gibbs, Ron Condon, Matt Maloy and the Seabreeze High School marching band with Mystic Marley, Bob Marley's granddaughter.
Gibbs and Condon's stories and time spent with them was invaluable. The 100-piece band from Seabreeze High School was amazing. Our clips from the auditorium and on the beach with Mystic and the band will go into a music video by the Armory of Harmony.
This organization's home page says it inimitably, and I encourage you to visit for the short read, which includes guidance from Plato, instrument manufacturer participation, and impossible to deny and beautiful logic like this;
"Armory of Harmony is about where we agree: Mental health is an important aspect of gun safety. Music is a universal language that connects us. Our constitution is sacred. An instrument in the hand of a child is a tuning fork of healing for the collective soul."
Please visit to learn more.
- Jordan Kahn
... a long TIME ago
Star Tournament project with CCA Florida.
Flashback to 2012. One of my favorites from way back.
WE don't make movies to make money.
we make money to make moRe movies.
WALT DISNEY
Cinema is a matter of what's in the frame and what's out.
Martin Scorsese
Photo: Matt Maloy www.mattmaloy.com
...SOME LOCAL VIBES...
SOMETIMES IT LOOKS LIKE THIS
SOMETIMES IT LOOKS LIKE THIS
A FAMILY BUSINESS
TESTING CAMERA BUILDS
That’s what makes commercial work interesting: creative forces meet corporate needs.
NICLAS LARSSON
Circa 1980. My first movie. Ok, I had help. Super 8, stop-motion animation and Star Wars toys.
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